REFINEMENTS

13th April: first day of filming and the editing of these shots.

On this day we went out to film the opening of our film. We made refinements including reshooting certain shots such as reaction shots if they weren't centred or the facial expression 

could've been executed better to give a more petrified look. The most significant reaction shot in this scene is when Mary see's her sister's demon standing only a few feet away from her. 

In post production, originally we did not have non-diegetic sound. However, on reflection we refined this idea and  added non-diegetic sound of eerie music to Mary's reaction and this was more successful in highlighting the frightening climax of 'Cynic.' When editing, we over-layed eerie non-diegetic music and gradually increased the volume of the sound. This refinement allowed for this moment to be very dramatic and striking. 

We had to think of refinements for our location, characters and costumes too. Emilia's dress was central to our discussion, but we eventually decided on a mid length white dress covered in mud and dirt. Originally we considered a black dress, but we eventually collectively decided that white connotes a ghostly figure. 

We filmed the beginning bedroom scene where Kate and Mary discuss the ouija board in Tallulah's bedroom which originally we planned to film outside. However, we believed the bedroom was more convincing in presenting Mary's life, setting herself and her friend (who I played). In our local woods, we experimented with different camera angles and different set locations within the forest itself. We believed the woods as a location was perfect in reflecting the scary, frightening character of Emilia through the mise-en-scene. 

 The stereotypes of the 'dark woods' emphasises the creepy atmosphere and foreshadows Mary's torment to follow.  

CHANGES

Film Concept 

Out of our various changes, the concept is a very important one. Our original film concept involved our protagonist Mary being picked up in an Uber where the the Uber driver is threatening and frightens Mary. However, after sitting down and reflecting on our idea we decided this concept could've been improved: more creative and unique. With the lack of us being able to drive being a key factor hindering our idea we began to brainstorm new ideas. 

We wanted to include a supernatural element into our film and make it a thriller/ horror film. We considered a Ouija board which we decided to keep and used as a feature for our film for this is how Emilia's ghost was summoned. We incorporated this into our new film idea where Mary is being visited by the ghost of her dead sister Emilia. We could explore this more easily and film in the woods and at Tallulah's house instead of filming inside a moving car which we found may be harder to film and execute. 

REFLECTIONS

1st July 2021 Final filming day and reflections 

On this day, we filmed our final scenes of the film opening including the graveyard scene and the end at Tallulah's house. On reflection, I believe we worked together well. As a filming team, we were able to utilise all of our ideas together. We adapted to alterations and changes well and managed to compromise on our ideas. As I was mainly behind the camera, I directed most of the final scenes and directed my groupmates in the process.  For example, for some scenes we found that the depth of field was not right and we therefore as a group changed this. We spent careful time thinking and considering different shots: long shots, over the shoulder shots, etc, to make our opening interesting.

On the whole, I believe throughout this planning and filming process we worked together to compromise ideas and create an exciting, intriguing film opening which would make somebody want to watch on. I believe our film is engrossing and gripping because of the meaning of the content we created and the way we have utilised our skills to our advantage.