@https://www.scoop.it/topic/bullying-by-laura-596
Friday, October 30, 2020
RESEARCH: SCOOP.IT
@https://www.scoop.it/topic/bullying-by-laura-596
Thursday, October 22, 2020
RESEARCH: TITLE SEQUENCES
Little fires everywhere
Title Design and Production Studio: Imaginary Forces
Creative Director: Karin Fong
Designers: Katherine
Liang, Isabell Hacker
Live-Action Director of Photography: JR Kraus
Editor: Lexi
Gunvaldson
Flame Artist: Rod
Basham
Producer: Renee
Robson
Line Producer: Evan Jones
Executive Producer: Wandie Kabule
Head of Production: Melody Alexander
Coordinators: Jackson
Kerr, Nicole Gutzman
Composers: Mark
Isham, Sharyn Gersh
Music Editor: Mauricio
Balvanera
Scary stories to tell in the dark
Title Animation Studio: IAMSTATIC
Creative Directors: Ron Gervais, Dave Greene
Production Company: IAMSTATIC
Executive Producer: Andria Minott
Art Direction / Animation: Steven Hollman, Ron
Gervais, Dave Greene, Chris Crozier
Modeling: Chris Crozier, Dave Greene,
Compositors: Steven Hollman, Ron Gervais, Dave Greene
Music: “Season of the Witch” Lana Del Rey
Wednesday, October 7, 2020
PRODUCTION PRACTICE: MONTAGE / TABLE TOP SEQUENCE
Research: Watch in
class the title sequence
of Delicatessen (Jean-Pierre Jeunet,
1991)
To
Kill a Mockingbird (Robert Mulligan, 1962)
The President (Heidi Berg, Felix Soletic, 2019)
Soundtracks for inspiration: Emily Barker's Nostalgia (the Wallander theme tune), Banana Pancakes and Christina and the Queens Five Dollars.
Session 1: Filming Table Top
For this exercise,
I decided to work with Tom. In class, we began by watching various tabletop
openings suggested by our teacher to inspire us for our own opening. After
listening to the various soundtracks, Tom and I decided we were partially
captivated by the song Nostalgia, which we believed would complement our film
successfully. We set the tabletop with background cloth, arranged the chosen objects
to tell a story that fits with our soundtrack (we used Emily Barker's
Nostalgia) and used a sturdy hand to glide the camera above the table top from
the start point to the end point. (INSERT VIDEO HERE NEED TO UPLOAD STILL) We used props to create a film opening which has
connotations of travel. We achieved this through the mise-en-scene of maps and
objects and images with associations to Asia and France, creating possible
narratives for the audience implied by the video. We hoped that this
opening would create questions for the audience and leave them asking who the
characters are and what is the narrative is.Session 2: Live action shoot
This completes the
opening sequence and launches the narrative. We kept this simple by only
including a short 2 second clip with a close shot of a man opening a briefcase.
This suggests what will happen next by creating enigma. Perhaps drama, conflict?
The short opening suggests that these questions will definitely be answered
once the audience continue to watch the film and is used to engrossed viewers
into the exciting narrative.
Photos from filming:

-
Publishing of the 'Cynic' film poster. The still image taken from my film opening is a significant moment. It was just before Mary ...
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Post-production edits Using IMovie, we made made final edits to each scene to create a more professional look. We spent time carefully choo...
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13th April: first day of filming and the editing of these shots. On this day we went out to film the opening of our film. We made refinemen...







